Absynth is a semi-modular synthesizer combining multiple synthesis techniques.

• Award-winning semi-modular synthesizer offering an unprecedented range of sonic possibilities.
• Innovative and unique combination of multiple synthesis and sampling techniques.
• New user-interface providing a concise overview and convenient one-window editing.
• Live stereo input allowing ABSYNTH 3 to be used as an extraordinary effect unit.
• 9 sound sources, 14 filters types, dedicated modulation and more for all three channels.
• Uniquely flexible envelopes with up to 68 breakpoints and sophisticated group management.
• Improved envelope display including a time display, variable resolution grid and cursor showing current position in the envelope.
• Dedicated surround sound function (3.1, 4.1, 5.1, 6.1, 7.1, 8.0) per channel allowing spatial manipulation of the sound or its individual components.
• Real-time fractalize parameters linked to individual envelopes.
• Powerful effects including a special reverb, echo, pipe, multi-tap, multi-comb.

vielklang is a plug-in instrument for instant audio harmonization. vielklang generates up to four voices from a single-voiced audio input. The progression of each individual voice is controlled by sophisticated harmony progression and voice leading models, resulting in musically meaningful harmonization without any configuration effort.

With vielklang musicians can easily generate and prototype natural-sounding background vocals and brass sections, modify melodies and single-voiced loops in terms of pitch and scale, and experiment with various harmonizations or chords triggered by different MIDI-inputs. It allows the user to synthesize up to four voices, edit harmonies and single pitches, and convert audio to MIDI.

The four voices don't simply move in parallel, their individual progression is controlled by a complete set of voice leading rules and sophisticated harmony progression models. This musical intelligence and knowledge lets the user focus entirely on musical issues, rather than technical or theoretical ones. vielklang helps to achieve musically meaningful results without having to bother about root note, scale, tuning frequency, harmony progression and voice leading.

While vielklang provides instant and meaningful results, experienced users also have the option of changing harmonization parameters like the range (ambitus) or distribution of the voices, modifying root note and scale, editing single harmonies and changing individual pitches in each of the voices.

Main features:

• Instant 4-voice harmonization of any single-voiced audio input.
• Integrated voice leading and harmony progression models, resulting in entirely natural-sounding automatic harmonization.
• One-click modification of key scales and harmonies.
• High quality, formant preserving, flexible pitch shifting.
• Audio-to-MIDI functionality for all voices.
• Customizable user interface.

PoiZone is a subtractive synthesizer designed to bring you "professional quality results", without a learning curve that hinders your creativity. The concept behind PoiZone was to design a synthesizer that had the smallest number of controls while providing the maximum flexibility and features.

Features:

• 2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright Saw and Pulse shapes, with adjustable pulse width.
• Noise generator.
• Ring modulation.
• Sync modulation.
• 16 voices polyphony.
• 4 voice Unison with user-adjustable stereo panning and 'Octaver'. The Octave expands the harmonic range and flexibility of the unison sound to support the creation of realistic 'vox-like' effects.
• 2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned.
• 3 Filter modes - low pass, band pass and high pass. Capable of self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be 'grungy' and 'angry' when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing.
• Keyboard and Velocity tracking for the filter.
• Muti-mode Arpeggiator.
• Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files.
• Delay effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut.
• Chorus with a warm sound with unison emulation.
• MIDI learn feature with the ability to save/load MIDI setups to/from a patch.
• LFO and Mod Wheel modulation. Can be assigned to a wide range of performance parameters in PoiZone.

manic is an 8-slot random sample player where you decide the samples, but manic decides when to play them. Samples are triggered according to their probability, on a tempo sync pattern. Also allows for randomizing of volume, pitch, pan, delay, reverse and swing. You decide how much, but not when. You can loop the sequence, change sequence seed with MIDI keys and quantize the pitch randomizing for a more melodic sequence. Works well for random glitchy percussion, instant melodic sequences of multi-samples or total chaos.

Features:

• 8 sample slots, supports 16 & 24 bit mono & stereo wavs.
• Each sample played randomly according to it's probability.
• Tempo sync hit rate (hits/beat).
• Seeded randomizing for repeatable sequences.
• MIDI playable seeding, change sequence with a MIDI key press.
• Random sequences can be looped for repeatability.
• Randomised swing.
• Per sample volume, pan & pitch.
• Per sample randomizing of volume, pan, pitch and reverse.
• Per sample pitch quantizing to semitone/cent.
• Per sample routing to randomised delay.
• Play / stop / resync controls.
• MIDI CC and MIDI learn.
• 246 samples and 25 presets covering acoustic & electronic drums, glitch and 8 bit noises, synth bass and keys.

• drum synthesis and sample plugin for Mac OSX and PC.
• 18 polyphonic Drum Pads, up to 32-voice polyphony (selectable per Drum Pad).
• Freely assignable output configuration up to 18 stereo or mono outputs.
• Multiple instances of the instrument can be opened.
• Samples and whole Kits can be browsed while playing your music.
• A wide range of different Audio Generator modules which include an extensive selection of percussion synthesis modules and a sophisticated percussion sampler module.
• Waveform Display which shows the Waveform of samples, the effect of the Pitch Envelope, the Amplitude and the Filter Envelope.
• Designed for drums but can be used for pitched samples as well.
• The instrument is Multi-timbral with each pad having its own MIDI channel.
• True stereo sample playback and processing (all filters and effects are mono and stereo).
• Professional user interface providing direct access to controls with the minimum number of mouse-clicks.
• Currently 2 different Kick drum modules, 2 different Snare drum module, Open and Closed HiHat module, Tom module, Clap module, 2 Cymbal modules and a FM Percussion module
• Each Drum Pad includes its own controls for Output Destination, Vol(ume), Pan, (only if routed to a Stereo output), Tune (+- 24 semitones in 10 cent intervals), Choke Group (5 groups are available including prev/next and self-mute), Polyphony (mono...8, full), Mute and Solo and a MIDI activity display.
• For each Drum Pad the user has access to a multi-mode AHDSR-controlled filter, a Compressor with controls for Ratio, Threshold and Release, a "Varizer" with controls for Style, Precision and Spectrum, a 6 x 6 Modulation Matrix and two separate effects processors (Distortion and BitCrusher).
• Drum Pad Displays automatically switch upon editing allowing exact adjustment of level, pan and tuning and other parameters.
• Each Sampler module can hold up to 30 samples that can be individually triggered.
• Samples on each Drum Pad can have individual volume settings and can be layered, velocity-switched and velocity-crossfaded.
• Samples can be played forwards or backwards.
• The Amplitude Envelope Release Time can be set to "endless", so that even long
  samples won't be cut off.
• Supported sample formats include 8-32 bit WAV, AIF Samples with 8-24 bit resolution and the 32 bit float WAV format, all these formats in mono and stereo and with any sample rate.
• Supported Kit Formats are LinPlug RM IV, LinPlug RM III, Computer Music CM-505, LinPlug RM 2, and the widely used Steinberg LM 4 format.
• The file path to samples and kits is remembered for the next time you open the file dialog.
• Two pan modes are available: Equal Voltage (mono compliant) and Equal Power.
• Optional Drum Pad velocity sensitivity.
• Switchable linear or circular dial response.
• Display can show either note numbers or note names, whatever you prefer.
• Adjustable velocity response curve with 10 settings from linear to extreme exponential.
• Adjustable voice limit from a single to eight notes or full polyphony for each pad
• All Parameters are MIDI controllable and automatable (VST automation).
• Controller hardware (faderbox or synth) settings can be saved and restored using the LinPlug ECS (Easy Controller Setup). ECS supports conventional and Alpha Dial controller.
• Internal 32/64 bit processing.
• Dynamic resource allocation (unused components are switched off automatically) for minimum CPU usage.
• Sample accurate timing, settings are save with the song.

KarmaFX Synth is an Advanced Simulated Analog Modular Synthesizer featuring:

• Modular patching of synth components and controls.
• Internal high-frequency digital simulation of analogue voltage levels.
• Oscillator with phase, Detune and Pulsewidth that generates standard synth waveforms.
• Sampler, 16 bit Mono/Stereo sample player that imports .Wav files.
• 2/4 Pole Multimode Filters with Cutoff, Resonance (LP, HP, BP and BS filter types)
• State Variable, Zolzer, Moog, 10 band EQ, Formant, Comb, Allpass, Parametric and Shelving Filters.
• Amplifier with Panning, Volume and Velocity control.
• Delay, Reverb, Phaser, Chorus, and Distortion Effects.
• 10 Octave/12 Note Pitch control with Detune and Portamento.
• Bipolar/Unipolar LFO, HFO, ADSR/Multi-point Envelopes and Step-sequencer.
• Output component with Panning, DC removal, Volume and Clip control.
• Noise generator, filtered Pink, White and Brown noise with freq. sync control.
• Input generator so synth can function as an insert effect.
• Full stereo support (selected components can run in mono to save CPU cycles).
• Instant visual feedback on all controls. Frequency, Time/Amplitude, Modulation, etc.
• Up to 8 assignable automation controls.
• 2 banks of 128 pre-made patches.
• Up to 16-voice true polyphony.
• Legato support.